Arkansas Pastel Society and Ozark Pastel Society Non Juried Membership Show

The Arkansas Pastel Society and the OzarkPastel Society is holding their first combined Non-Juried Member show! The show will be open to the public Tuesday, June 27 – Friday, July 21, 2023 at Thea Foundation Gallery.  You can visit the gallery Monday through Thursday from 9:00am to 5:00pm. 501 Main Street, North Little Rock Opening Reception Pack up the family and friends and join us for the Opening Reception on Friday, July 21 at 5:00pm at Thea Foundation. We are going to pack the walls with art, live painting demos, story boards of the artist’s creative process, and the public will vote for their favorite painting! Light refreshments will be served. The reception is during the Argenta Arts District 3rd Friday Art Walk event. Check out the site for additional activities that evening. Hope to see you there! Photos will be posted after the event.

Arkansas Pastel Society – Paint Out

On Saturday, June 3rd, ten artists from the Arkansas Pastel Society spent the afternoon Plein Air painting on Petit Jean Mountain, Arkansas. Plein Air is a French phrase meaning “in the open air” and describes the process of painting a landscape outdoors. What better place than Petit Jean Mountain State Park.

We gathered for breakfast at Mather Lodge, I missed a photo opportunity. Then we headed out to paint around Pavilion A & B, Davies Bridge, and Lake Bailey. We were fortunate enough to have a Bald Eagle watch us from a nearby tree.

Some of the artists had a the opportunity to visit other areas of the park and take photos, possibly for future paintings.

After we finished painting, I had the honor to have the artists come by my studio to cool off, catch up on the day, share art tips, and enjoy each other’s company. It was a resounding yes to make this an annual event.

I’ve included the four 20 – 30-minute sketches I started today. I may work them some more in the studio.

Thank you all for an amazing day!!

Where else can you take a piece of a museum exhibit home with you!

Celebrating Mother’s Day at the Arkansas Museum of Fine Arts. This was our first trip to the museum which just celebrated the grand opening of their newly renovated space. Just like any fine art museum, there were watchful eyes at every door ensuring the visitors did not get too close to the artwork, did not have open drinks, food, etc. Imagine our surprise when we came upon a piece by Felix Gonzales-Torres “Untitled” which had a sign above it, “Please take only one”. Really, you can take a piece from the exhibit. My daughter (also an artist) said I’m not taking one without asking a guard. So, I proceeded to find a guard and ask them. With a great chuckle he responded, I know we tell you please don’t touch anything, then you see this sign…. yes you can each take a piece. Bearrett said, “I love paper”. He is an artist in the making!

I was pleased to see pieces from some of the well-known artists, O’Keeffe, Degas, Rembrandt, Monet, as well as local artists. The artwork was diverse, showcased multiple mediums, and well displayed. They even had a few pastels! We also enjoyed the Hungry Caterpillar puppet play for the children.

If you are in the Little Rock area, it is worth a visit!

My Journey

My bio provides a high-level view of my background, yet there is much more.  I thought I would share with you, my journey.  My mom would tell me she could sit me down with crayons and a coloring book and I would be entertained for hours.  I remember going through so much tape, glue and paper making 3D farms and homes for my play animals.  I also remember cutting the outfits of her cherished stuffed animals because I needed felt.

During one of my visits with my grandmother, I noticed she was always doodling. I asked her to make a drawing for me (I still have it). I would create copies of that drawing over and over, each time getting a little better.

Through Jr. High and High School, I continued expanding my knowledge of mediums, ink, printmaking, sculpture, and more. However, my favorite thing to do was draw horses.

One day a friend of my mother’s was over, and I was showing her my art. She suggested that I look into Studio in The Woods in Wauconda, IL. Just so happens that school was 10 minutes from my home. At the age of sixteen, I signed up for classes and continued my studies there for eight years. All while going to college at night for my associate degree in Fine Art from the College of Lake County, working full time, and being newly married. I can’t say enough good things about my instructor/mentor at Studio in The Woods, Bonnie Anderson, and the influence she has had on my approach to this day.

After a 20-year break to raise my family, I returned to study art at Mainstreet Art Center in Lake Zurich, IL. To my surprise, Frankie Johnson, former instructor at The Studio in the Woods owned the Center. I was flooded with memories and just stepped right back into my rhythm. Thank you to Jan Bergland, my instructor, during my four years at the studio.

A little over two years ago, we moved to Arkansas, and I built a studio where I now have a dedicated space to spread out and create.

There is still the question, where did the talent come from before me? Where in my blood line? Bless my grandmother who inspired me, however, she is my step grandmother. My father would doodle once and a while. In the last 10 years or so I learned that my grandfather (father’s father) was a painter, as well as many extended family members on my father’s side were artists and art teachers! I’m thankful that my daughter has also inherited this talent and all the opportunities we get to collaborate.

So that is my journey, and it is not over yet. Let me know if you have questions and thank you for coming along with me.

How did the Rusty Vehicle series get started?

A few years ago, we purchased some additional property that connected to ours. As we hiked the property, we stumbled across two rusty vehicles. A 1951 Mercury Coupe that had been altered with a Chevrolet truck bed and a 1970 Rambler. The Mercury was nestled in the woods with the sunlight filtering through the trees, across the ground, and up the side of the car. I was fascinated by the light, chrome, and rusty colors. Not to mention, I love old cars. I thought to myself, I need to try and paint that. Where do I begin, I’ve never painted a vehicle before. I had to remind myself of the basics of drawing, don’t think of it as a car, but rather shapes, values, and color.

I absolutely fell in love with creating the textures and rich multi-colors of rust and chrome. Now don’t get me wrong, I certainly faced some challenges, like I painted the glass three times before I got it right. I had so much fun, that I’ve been working on a series of rusty vehicles ever since.

A few of the pieces are still available for purchase through my on-line gallery.

Sharing my passion with the littles.

I had the wonderful opportunity to host four children from the ages of 18months to 7 years old in my studio this week. Their parents and grandmother joined in for the fun. Along with these guests, my daughter and her young son joined in. My daughter is also an accomplished artist, and I was grateful for her extra hands and sharing of knowledge.

We set up stations so the children could try pastels, acrylics, watercolors, markers and create a Christmas Ornament. It was so fun watching them experiment with different papers, textures, and mediums. They created so many wonderful and imaginative pieces over the course of several hours. There could be some promising Picasso’s in the bunch!

A shout out to the families for allowing me to share my passion.

Tis the Holiday Season

Wishing you all a Very Merry Christmas and joyous Holiday Season!

During all the hustle and bustle of the holiday season, I wanted to take a moment to say how much I appreciate you all. Your supportive comments and encouragement throughout the year were much appreciated. Your curiosity in the process is energizing. Thank you for playing a role in my art journey.

Cheers to a blessed, happy, and healthy New Year.

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The “Big Mural”

Back in September I wrote about “The Opportunity of a Lifetime”. In that post I mentioned a second mural my daughter and I would be working on at the Museum of Automobiles in Morrilton, AR. We finished that mural this weekend. It is now the largest mural we have done at 6′ x 25′. The car is approximately 17′ with Petit Jean Mountain in the background. It was an honor to create this lasting memory mural for the Hoelzeman family.

Here is a little more about the car: 1957 Oldsmobile Super 88 Holiday Hardtop owned by former long time Museum of Automobiles Director Buddy Hoelzeman and his wife Tootsie.  He worked at this Museum for 55 years from 1966 to 2021, being the Director 53 of those years from 1968 until his retirement in 2021.

If you are in the area, stop by and take a tour. The murals are in the lower level of the museum.

Now on to the final mural…stay tuned.

Sometimes it is good to work in other mediums

I find that it is good to swap mediums once in a while. The painting below is done in oils and is a work in progress. What are the differences between working in oil vs pastel?

1) With oil I need to mix the colors I want vs pulling pastel right from the box with the color, value and intensity work already done. Mixing the colors reinforces the basics of color theory.

2) I need to adjust mark making to create textures and do so from a brush at the end of the stick vs holding the pastel with my fingers.

3) I need to understand how wet medium reacts to the canvas vs dry pastel on papers.

4) The downside of oil painting is waiting for the paint to dry 🤣

5) There is also prep and clean up time I need to build in 30-45min.

As you can see the skills are transferable, it takes patience and practice.

Tom Christopher Workshop

After several years of following Tom Christopher on Instagram, I had the opportunity to take one of his Workshops. Tom has a unique process for creating texture and movement in his work. He graciously shared his process during a two-day workshop hosted by the Ozark Pastel Society and some members of the Arkansas Pastel Society joined as well. The first morning was spent learning the process Tom uses to create the underpainting. Then he worked his magic during a demo as he shared his thoughts on value’s importance over color, mark making, standing back often, and keeping it simple. Let the human eye knit it together.

The afternoon was our turn to try his process for the underpainting and mesh it in with our developed mark making style. Tom walked the room and provided guidance and praise to each of the artists.

Day 2 was the same flow as Day 1; however, our focus was a snow scene. At the end of Day 2 we came together as a group and Tom critiqued each artist’s piece. It was amazing to see all the wonderful pieces using Tom’s process, yet each artist added their own flair. I was in awe, the work of this group of artists was stellar!

I will definitely be leveraging this process in some future pieces. Thank you Tom!